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Benedict's path in the Bridgerton books deviates from his show's sexuality arc. Benedict's tale in the Bridgerton books never notes his investigating his Bisexuality. His book An Offer From A Gentleman centers on his relationship with Sophie Beckett. Benedict's search for her following a masquerade ball—mentioned in Bridgerton season 3, episode 8—follows the same rhythms as the original Cinderella legend. Though this particular element is unique to the program, Benedict's bisexuality matches his route toward character development and storyline.
The show's examination of Benedict's Bisexuality is a novel, modern approach whereas the books center on a conventional love narrative for him. It reveals that he is not constrained to one kind of attraction, so giving his persona richness and subtlety.
The transformation in Benedict's sexuality in Bridgerton gives his already existent themes of discovery and identity fresh significance. Benedict has struggled with his identity across the chronology of Bridgerton. He specifically battles his artistic identity as well as his position in the Bridgerton family outside of emotional support. By means of this transformation, Benedict's arc would not only give this battle a fresh perspective but also start to heal that identity issue on all fronts.
Benedict can explore other aspects by embracing one side of himself, so broadening his contribution to the show overall as he rediscovers what makes him happy and how to communicate it. Benedict's arc could start to heal if he utilizes that same bravery to investigate other facets of himself, so investigating his sexuality and spending time to get comfortable with it. Benedict will be able to get the confidence to investigate others by embracing this aspect of himself. As he satisfies his need for direction by what makes him happy, this would increase his involvement in the show overall. By addressing these issues, Benedict's plot in Bridgerton gains richness and gives his character arc a different feel to others in the show.
Benedict (Luke Thompson) explores his bisexuality in the second episode of Bridgerton, which begs issues of where this fits in the literature. In the first half of the third season of the show, Benedict's plot was quite understated. Though he did begin a connection with Lady Tilly Arnold (Hannah New), his arc seems to be largely directed on avoiding the several qualified women of the ton. But Benedict's narrative veers in a different path in the second half of the season, giving the ending of Bridgerton season 3 still another level of complexity.
When Tilly brings Benedict to her other lover, Paul Suarez (Lucas Aurelio), the two click and Benedict gets invited to share their bedroom. Benedict first declines, but he quickly changes his mind and follows them to create a dramatic scene. Though they have chemistry, Benedict subsequently tells Tilly—who wants to see Benedict just—that he wants to explore his sexuality and autonomy. Given Benedict's path in the Bridgerton book series, his story gains a fascinating layer from his season 3 ending.
From Shondaland and producer Chris Van Dusen, Netflix's Bridgerton is based on Julia Quinn's same-named romantic books. Following the eight Bridgerton siblings, Anthony, Benedict, Colin, Daphne, Eloise, Francesca, Gregory, and Hyacinth as they negotiate life in Regency-era England and hunt love throughout the social season,
The inclusive stories and varied ensemble of the Bridgerton series have drawn compliments. The show's examination of Benedict's bisexuality gives its whole message of love and acceptance still another level of relevance. The makers of the show have said they wish to keep investigating these subjects in next seasons.
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