The Deeper Meaning Hidden Everywhere All At Once
Though never stated specifically, Everything Everywhere All At Once argues that realizing all objects and events are equally meaningful as life has no inherent purpose. Jobu Tupaki, a variation of Evelyn's daughter Joy, comes out not to desire to kill Evelyn but rather is looking for another person who can traverse the Multiverse, mostly in search of some alternative viewpoint to make sense or find some reason in all.
Though it never offers a clear response to the issue of meaninglessness in an endless cosmos, Everything Everywhere All At Once is quite sensitive in its depiction of nihilism and sadness. Rather, the finale of Everything Everywhere All At Once shows that the movie should be seen as a protracted argument where maybe the only significance to be found in life is the people in it, thus the solution is to be present every moment feasible.
Why Everything Everywhere All at Once is ridiculously funny?
With its absurdist approach and messaging, Everything Everywhere All at Once best illustrates through its comic sequences. Absurdism as a theory embraces life whatever, thereby rejecting the lack of significance in the world. Simply said, if nothing has meaning, everything is equally important as everything else. The zany Everything Everywhere is a really personal family story rather than just a Multiverse action-comedy.
Set elements aimed to emphasize the actual message—family, love, and discovering happiness in one's life—matter most among the multiverse trappings. This naturally led to comparisons between Everything Everywhere All At Once and Marvel's multiverse, as the film's release shortly preceded the MCUs Doctor Strange in the Multiverse of Madness. Unintentionally, the film also highlighted how gently the MCU had touched such a very brilliant idea at the start of its Multiverse Saga.
Everywhere all at once: a deeper cinematic message
Apart from the absurdism, Everything Everywhere All At Once is evidence that it is feasible to create on rather a small budget a visually sophisticated, lush, layered, and exciting story. The fact that the special effects crew that knocked Everything Everywhere All At Once out of the park consists of just five people—who taught themselves to do the effects of the movie using YouTube tutorials—defines a lot of the release buzz. But as box office, reviews, and awards success show, this unusual arrangement was no drawback.
The film further breaks the myth that big-budget movies define Hollywood's future. Driven by tales, this film's timing is so near to Doctor Strange 2 that even long-time Marvel fans couldn't help but see just how much better the MCU ought to be. In terms of being a critique on Hollywood, Everything Everywhere All At Once's meaning is a sharply written message about how storytelling overcomes large budgets any time of the day — and not just in terms of providing fascinating film but also box office success.
How The Bagel Juggles The Meaning Of Everything Everywhere All At Once?
Jobu Tupaki's Everything Bagel becomes a major narrative element in Everything Everywhere All At Once. The Everything Bagel is, as its name implies, a bagel bearing practically everything in the entirety of existence. Not only could this bagel tear apart the very fabric of the cosmos, but Jobu started her lethal hunt across the multiverse partly in response to her lack of gratification after designing it. Though there are a few other elements in why Jobu Tupaki wishes to stop all of creation, the Everything Bagel is also maybe the element of the film that most concisely clarifies the idea of Everything Everywhere All At Once.
Far from making Jobu Tupaki happy, creating a bagel with practically everything there could possibly be on it simply made her suffering worse. Though it still left her disappointed, the bagel had absolutely nothing lacking. She merely felt more empty even though she believed making it would give her life purpose. This is the central essence of Everything Everywhere All at Once. Accepting that even with all one now wants, one can still feel unsatisfied; happiness cannot be obtained in trying to fit everything into one place or objective.
The Meaning of the Multiverse: An Exchange with the Daniels
Additionally contributing to the conversation on their runaway blockbuster film are Daniel Kwan and Daniel Scheinert, directors of Everything Everywhere All At Once. The Daniels shared in a past interview their ideas and plot for the movie as well as the multiverse theory underlying Everything Everywhere All At Once.
Back then, Kwan initially presented his multiverse concept to Scheinert; the latter described how he detested multiverses for inspiring nihilistic ideas. Kwan responded, though, with a compromise that essentially captures the concept most viewers understand from Everything Everywhere All at Once. Here's what Kwan replied to Scheinert (via Radio Times) about the latter's worry for the meaninglessness of the multiverse during an interview with The Daniels: "Let's create a nihilistic film acknowledging that!" It then simply kind of bounced back and forth until we were like, "Oh, the multiverse is the perfect metaphor for what it feels like to live right now." Perhaps by means of the multiverse, if we can investigate all of our neuroses and anxieties, we may grow personally. And so it is: sometimes we're making pictures and we're simply chasing questions; we never know the answers until we show it to an audience."
Themes of Everything Everywhere All At Once Also Made It a Box Office Hit
Looking at the box office take of Everything Everywhere All At Once, it doesn't seem amazing when contrasted with blockbusters. Ranked 27th nationally (based on Box Office Mojo) and 35th globally, it Still, the box office offers much more than just numerical values. A24 had a great box office performance with just a $25 million budget. With its $111.4 million worldwide gross smashing Hereditary by $30 million, Everything Everywhere All At Once was the largest commercial hit for any movie from the prestigious studio by the end of its run (via The Numbers).
It was also clear as to why this film appealed so much to general viewers. For many audiences, other A24 films seem to be a struggle; Hereditary and Talk to Me brings in horror buffs and little else. Others, including Beau is Afraid, The Whale, and Uncut Gems, were just outside the usual enough to keep many admirers away. Still, a film like Everywhere All At Once is superior to Lady Bird from 2017, which comes third for A24 at $80.1 million. Though they set challenging circumstances, these films center people and real-world connections. Everyone can connect to these values, hence no multiversal chronology would diminish their deeper meaning, so enabling this movie to reach a very large audience.
Themes Landed Michelle Yeoh Multiple Awards Everywhere Navigation
For her role as Evelyn Wong — the central character that ties together Everything Everywhere All At Once's meaning — Michelle Yeoh took home her first Golden Globe win in 2023. Impressively, Yeoh won the 2023 Golden Globe Award for Best Actress in a Musical/Comedy Movie, besting other formidable nominees like The Menu's Anya Taylor-Joy, Babylon's Margot Robbie, Mrs. Harris Goes to Paris' Lesley Manville, and Good Luck To You, Leo Grande's Emma Thompson. There were still more honors.
Michelle Yeoh herself won the Academy Award for Best Actress as Everything Everywhere All At Once went on to triumph at the 2023 Oscars. EEAO's accolades clearly went to Michelle Yeoh for a reason other than only her comic timing. This is a profound and sophisticated film with a plot any acting ability would find challenging to negotiate. Everything Everywhere All at Once Michelle Yeoh's performance as Evelyn was flawless throughout — natural regardless of the absurdity of whichever moment or reality Evelyn was in.
