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Yellowstone has cemented itself as not simply another ‘western’ on modern TV, but something more complex. What started as a single core narrative, transformed into a much broader media franchise with multiple character based story arcs within a singular and shared production value universe, with very high levels of complex themes that touch on various social and historical realities while keeping all audience invested. And as a property (with shows still coming up despite a core show conclusion) a proper analysis, has to consider a future context beyond current story timeline to better help viewers, either new to Yellowstone or long time watchers who’d like more detail to fully prepare for what may be coming; so here lets discuss a few details while addressing open-ended questions for upcoming shows and its various potential avenues, as well as what could those new expansions mean to their overall message.
Whilst “Yellowstone” proper had an ending ( of sorts) what remains at the forefront of any series viewer is not necessarily a completely closed narrative but numerous lingering elements which often seem less of an end than simply something with far greater implications into future story points that will now get their proper resolution during different formats: like ongoing or potential spin-offs. Beth and Rip’s ending does offer an ‘almost perfect’ life as family setting, however; it still provides for very little context about their past, also concerning what the 'modern world' will truly bring, those past choices also hint there may also be very great difficulties adapting if, as the producer suggested there are further adventures, since both seem incapable of acting without constant need to undermine opposing viewpoints. These, alongside what might now become the “ Dutton Clan’s” overall history, create a clear starting foundation point to branch-out for all new productions.
Also many smaller side stories were cut short; the ongoing conflict involving the fate of Native lands as seen from Rainwater’s specific goals while being under the lens as the new ‘owner’, do present important opportunities to expand and even if this particular story concludes ( for those characters on the primary series format ), these themes continue being relevant with different settings and different contexts, these create far more creative outlets and options instead of what would be if the series decided for simpler resolutions for every one. And this format will be seen throughout what was presented in "Yellowstone", with specific open ended conclusions now set in stone that must find resolution during other series or in other production format.
Finally and far more concerning, we have seen just what those main characters are capable of ( morally speaking) and that adds for a potentially high interest with more ethical quandaries (rather than strictly external problems alone). And with that set framework what seems uncertain for "Yellowstone’s” future actually provides, instead, for something much more predictable as we can better expect various plot points to revolve in very particular and unique ways that other shows tend not to follow.
Whilst all 'core' unresolved details leave for questions among long time followers; what that ‘main' ending shows is also a clear intent about keeping the story evolving with a framework. Instead of focusing mostly on plot elements, the ongoing TV series seems to highlight people's own flawed perceptions of past, tradition or power that shape new choices and because all production members also share similar views, this creates great space for all potential new shows within its specific setting to also follow and provide that exact same format .
“The Madison,” currently under production looks set to push ‘present day’ ideas of power versus established status quo; showcasing those core underlying human themes by also adding another component about modern societal structures while using shared “Yellowstone” thematic approaches regarding how people must compromise when given large responsibilities. Furthermore if we take "1944," the new prequel we might see greater focus into early origins over Duttons as those who ‘have’ land, versus how some 'acquire' or gain those same advantages and will that, under similar approaches set new foundations in conflict? This methodology makes those elements more than simply ‘backstory’ material, as the same core philosophical conversations from ‘Yellowstone' ( or '1883' or ‘1923' ) can exist and become a foundation during these new set cycles.
But more notably, and as mentioned by many media sources, is that a ‘ Beth and Rip Spinoff’ seems very possible with current series storylines as a base template to grow which does open up another opportunity because that specific focus also can have some direct connection to how these characters cope when dealing with something more familiar ( their ‘home’ vs what was often depicted through various story elements from original 'Yellowstone') allowing an intriguing ethical challenge; do they ‘grow from within’ or will those limitations simply follow through as constant challenges? And its exactly in this question that the creative genius of the series always shine by refusing any easy or convenient path.
What "Yellowstone’s" unique series has always understood comes down to two factors; and first is the willingness to explore core character flaws as if ‘bad choices’ came as result of internal forces, and secondly those elements will always carry onward into all their cycles; what could be is to truly make something both different yet incredibly similar to "Yellowstone’s" unique design to be explored ( as a TV experience). By re-iterating characters into familiar yet slightly varied cycles is the clear way to keep their audience engaged because what appears predictable at first glance is, when taken under the microscope always a set up for subverting viewer's expectations by showcasing even grander ethical questions, those tend to elevate the experience.
With the “Broken Rock Reservation" now being part of a more prominent role in modern timeline we could also fully witness Native American perspectives being far more developed using all those ‘Yellowstone ‘ approaches by placing core members into roles that are now fully responsible to address old and past mistakes rather than simple outside viewers . Or what about new bloodlines to appear that now try and play the same game as a new threat or opposing faction? In both cases, these offer opportunities for greater narratives all based upon previously tested concepts regarding human limitations which means more ethical discussion are never really ‘done and over with’ in this fictional set of shared experiences which is very important and very unique.
Yellowstone may have ended its initial five season run , those conclusions will now set a perfect base for brand new iterations of what a western tv show can do. And despite an ‘ending’ many unresolved questions make viewers more interested about the future than what is explicitly presented as something “done” because as a tv program it is always highlighting that 'the end is not really 'THE END’'. With a myriad of storylines and characters to follow “Yellowstone’s’ future looks set for both long term success through brand new avenues with clear intention to push forward those unique series elements which makes them into a must see form of visual art than mere entertainment. And that unique combination over complex moral structures alongside characters who are, simply, not ‘good people who try their best’ but just complex human beings with their specific flaws; will also transcend all their settings be they ‘ modern’ or far distant timelines from American History. The ‘core ‘ framework from ‘Yellowstone’ remains the strongest of elements for any story and that appears not to change at all for ongoing future releases.
The promise that the series made all those cycles ago, in each core character development, does not end because the series ‘ending ‘ its always about to evolve in various and new unexplored landscapes for a lot more ethical questioning and interesting characters all set in new adventures so as an overall franchise it has all foundations needed for continued support for those wishing more beyond what a single TV show may ever possibly deliver.