Movies News Talk
Like the real-world figure, Kathy (Jodie Comer) first had children in The Bikeriders; writer and director Jeff Nichols regrets excluding them from the story. Based on Danny Lyon's photobook, which included moments from his years of touring with the Chicago Outlaws Motorcycle Club, the film Although the film presents fictionalized versions of the same characters under like circumstances, it does not exactly portray the same story. Lyon's book is so vital for the film that Bikeriders' post-credit sequences highlight his pictures.
The film never really addressed Kathy's three children before she ever even met Benny. Nichols said in an Entertainment Weekly interview that the kids were deleted from the film after initially only one shot. Viewers who routinely forgot they existed found the references to be irritating, and it weakened the love story. See his entire justification below.
[It was] among my main movie regrets. Though we only got one shot of her, we had sequences where she discussed her children. And it was really distracting when I initially started showing folks the movie. I hadn't involved that family enough to make the movie natural. People genuinely disliked her because of that; it was rather distracting. More than that, though, it was simply sort of perplexing. Wait a second, where are [the kids]?... It raised all these issues, which in the book make her incredibly interesting, and my biggest regret as a storyteller is that I did not create that in a way it could remain.
The people who motivated the film are nonetheless vital even if the characters are fictional and not totally based on real-life persons. Their images and speeches guided the whole course of the story and its several characters. Among those quite powerful people is Kathy. She acts as a draw for Benny away from the Outlaws, sometimes referred to in the film as the Vandals. Being an ordinary Midwesterner, Kathy's three children help to highlight her character and fulfill the themes.
In Kathy's life, the children were a straight line of continual presence. Ignoring them eliminated a great force keeping her realistic and grounded. She had children to look after and worry about, hence she could not be carried off on Benny's bike. Benny, who had nothing binding him, observed a woman living life as a single mother and unable of just riding away without thinking about it. It gave an interesting contrast to their relationship and also gave Benny and Kathy more definite future.
Kathy was in her mid-20s, thus having the children would also provide better understanding of her life before Benny. It would make her more three-dimensional and add more to her character than merely Benny's seductive love-interest. Children might surely bring additional strife and interact with Benny to make him rethink life with the Vandals. Choosing to exclude Kathy's children from The Bikeriders, Nichols left many of Kathy's possible issues on the cutting room floor unresolved.
The Vandals, a 1960s Midwestern motorcycle club, are the subject of The Bikeriders. Viewed through Kathy's eyes—that of Jodie Comer—the movie shows the club's transformation from a gathering of local outsiders to a violent gang.
The Bikeriders presents a convincing and provocative view of the 1960s motorcycle culture. Emphasizing the transforming force of community and the nuanced dynamics of belonging, the movie investigates subjects of fraternity, revolt, and the appeal of the open road. The film's emphasis on Kathy, a strong and self-reliant woman negotiating the Vandal society offers a different viewpoint on the social and cultural scene of the time.
Director Jeff Nichols transports viewers to a period of transformation and upheaval by deftly capturing the unvarnished vitality and fascinating ambiance of the 1960s. The movie is a strong and unforgettable cinematic experience with its beautiful look, interesting people, and examination of difficult subjects.